![]() It supports a magnificent video presentation. Wonderful contrast balance on the pristine looking Show some consistent grain and overall there is a Obviously, less on top and bottom from the 4:3 Open The side edges on the 1.85:1 aspect ratio (but, Welch, who playsĮxtremely impressive looking transfer from Criterion.Įxceptional greyscale and black levels - bringing upĭetail another solid notch. Life magazine article on real-life lawyer Joseph N. Liner notes booklet featuring an essay by critic Nick Pinkerton and a 1959.Trailer, featuring on-set footage (4:50).Behind-the-scenes photographs by Life magazine’s Gjon Mili. ![]() Excerpts from the work in progress Anatomy of “Anatomy” (30:11).Excerpts from a 1967 episode of Firing Line, featuring Preminger inĭiscussion with William F.Preminger with Bass biographer Pat Kirkham (14:53) A look at the relationship between graphic designer Saul Bass and.Critic Gary Giddins explores Duke Ellington’s score in a new interview.New interview with Otto Preminger biographer Foster Hirsch (29:45).Studio: Columbia/Tri-star Studios - Region 2/4 Studio: Columbia/Tri-star Studios - Region 1 Subtitles: Arabic, Bulgarian, Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish and Turkish. Spanish, Chinese, Korean, Portuguese, Thai and none LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit (Dolby Digital 1.0 Stereo), DUBS: French (Dolby Digital 1.0 Stereo),ģ560 kbps 5.1 / 48 kHz / 3560 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / (Dolby Digital 1.0 Mono), French DUB (Dolby Digital 1.0 Mono), Spanish DUB The Vertical axis represents the bits transferred per second. ![]() Original Theatrical aspect ratio - 16X9 enhanced Joseph Welch, who plays the judge, was theįamed Army-McCarthy hearings lawyer who would go on to become a real life judge. Project (actress reportedly slapped director who slapped her back) and Jayne ![]() The casting of Remick was Preminger's major concern after Lana Turner left the Stud and Remick as his duplicitous, sluttish wife received well-deserved career Support the star performance in a talky tennis game. Performance as a confirmed bachelor defense attorney speaking directly aboutĬontraceptives, pink panties and rape. Stewart shocked 1950s audiences with his gritty, quirky Movie landmark, nominated for seven Oscars, including best picture.Ĭourtroom histrionics given sizzle and sex by Otto Preminger and DukeĮllington's jazz. Influential score by Duke Ellington, Anatomy of a Murder is an American Prosecutor and the legendary attorney Joseph N. More than anything else, it is a striking depiction of the power of words.įeaturing an outstanding supporting cast-with a young George C. Preminger, was groundbreaking for the frankness of its discussion of sex-but Gripping envelope-pusher, the most popular film by Hollywood provocateur Otto Murdering a local tavern owner who he believes raped his wife (Lee Remick). Virtuoso James Stewart plays a small-town Michigan lawyer who takes on aĭifficult case: the defense of a young army lieutenant (Ben Gazzara) accused of This long-overdue book sheds light on the creative process of the undisputed master of film title design-a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.Edition of Anatomy of a Murder is reviewed HERE ![]() He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Iconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. ![]()
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